Top 20 Al Green Albums Ranked Best to Worse

Widely regarded as Al Green’s masterpiece, Call Me perfects the lush Memphis soul sound with flawless songwriting and vulnerable vocals. Supported by the Hi Rhythm Section and Willie Mitchell’s sublime production, every track feels like a masterclass in intimacy.

Hot on the heels of his breakout success, this record delivered timeless romance and unmatched vocal finesse. From the shimmering title track to his legendary cover of Roy Orbison’s ‘Oh, Pretty Woman’, the album is purely magical.

Featuring one of the most famous title tracks in soul history, this record solidified Al Green as an international superstar. The subtle horn arrangements and Al’s expressive falsetto make this a cornerstone of 1970s soul.

This album represents the moment Al Green and producer Willie Mitchell locked into their signature groove. Blending soulful covers with powerful originals, it established the blueprints for his mid-70s run.

A slightly funkier, moodier record that introduced the iconic track ‘Take Me to the River’. The groove is deep, relaxed, and remarkably hypnotic throughout both sides.

Written and produced by Al Green himself, this transitional album blends spiritual devotion with his secular soul roots. Playing guitar throughout, Green crafted an extraordinarily personal and joyous work.

Packed with smooth grooves and romantic ballads, this release highlights Green’s uncanny vocal control. Tracks like ‘L-O-V-E (Love)’ feature some of the tightest rhythm section playing of the decade.

An energetic album where Al Green leans into longer, disco-adjacent soul jams without losing his soul authenticity. The title track remains one of his most explosive dancefloor cuts.

Following the monumental success of Call Me, this album keeps the laid-back Memphis mood rolling smoothly. It captures Al at the absolute peak of his vocal confidence.

Al Green’s debut album for Hi Records shows the raw, burgeoning talent of a soul icon in the making. Packed with inventive covers, it shows the foundations of the Mitchell-Green partnership.

Co-produced by Questlove, this late-career triumph returned Al Green to organic, live-in-the-studio soul. Featuring guests like Anthony Hamilton and Corinne Bailey Rae, it stands among his modern best.

Brimming with upbeat energy and soul ballads, this late-70s Hi entry is often overlooked but retains the classic Memphis groove. Al’s vocal performances remain top-notch throughout.

Reuniting Al Green with producer Willie Mitchell for the first time in decades, this album captures the classic Hi Records spirit with modern clarity. It proved the original soul chemistry remained intact.

Al’s final album for Hi Records features a fun cover of ‘To Sir With Love’ alongside spirited gospel-soul blends. It reflects an artist poised on the threshold of a full spiritual rebirth.

Credited to Al Greene & the Soul Mates before he dropped the final ‘e’ from his name, this early recording showcases raw mid-60s R&B energy. It offers a fascinating glimpse at his pre-Hi Records style.

Marking Al Green’s full shift into gospel music, this Grammy-winning release is driven by passionate vocal delivery and sparse, raw instrumentation. It remains a milestone in modern Christian soul.

The second post-2000 reunion with Willie Mitchell continues the soulful momentum of I Can’t Stop. Green sounds relaxed, joyful, and completely at home over warm brass arrangements.

A sleek 1980s R&B effort that yielded the hit single ‘Everything’s Gonna Be Alright’. It blends contemporary pop production with Al’s signature vocal passion.

Following his gospel transition, this album blends devotional lyrics with authentic funk grooves. Green’s passionate delivery keeps the music lively and deeply soul-stirring.

Featuring production assistance from Fine Young Cannibals members, this 90s release mixes traditional soul with contemporary pop touches. Al’s voice remains as charming and smooth as ever.